Search: Starring Peter Ferdinando

Rockwell could have played this role in his sleep but makes as effort nonetheless, and Schwartz holds his own.

A kaleidoscopic sequence explores questions of identity through some of the trippiest black and white imagery you'll have seen on the big screen for a long time.

In the literal act of performance there is room to talk about self as performance, and that is where High-Rise is strongest.

Bent copper. Check. A liking for the charlie. Check. Shady gangsters operating out of shady strip clubs. Check.

This is another downward spiralling character piece with the same bruising toughness of its predecessor, but handled with a tauter, darkly playful control.

Mackenzie shows everyone, inmates and guards alike, to be trapped in a corrupted, corrupting system that resists all change.

The film rattles along at a fair pace, peppered with gentle warmth and good humour.

Peter Ferdinando is excellent as the titular character.

Self-aware and as on the make as its lead, it’s an accomplished lowbudget debut.